JOHANN JOHANNSSON

Jóhann Jóhannsson gave contemporary film and concert music a language of slow pulse, fragile electronics, and restrained orchestral weight. The composer from Iceland wrote film scores, albums, and concert works where texture often carries the emotional argument. Fordlândia, IBM 1401, A User's Manual, The Theory of Everything, Sicario, and Arrival place him among the most distinctive voices of early 21st-century classical sound.

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1 article related to JOHANN JOHANNSSON:

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  FILM

  Sicario's desert pulsates in Jóhannsson's score

  Sicario tells the story of an idealistic FBI agent Kate Macer (Emily Blunt) who is enlisted by a government official to...