Porque Te Vas: origin and meaning behind Jeanette's best song
Jeanette's Porque Te Vas CD cover
Music Period: 1970s
Porque Te Vas is the most influential ballad recorded by Janette Anne Dimech, known professionally as Jeanette, which made history as the first Spanish pop song to achieve such immense international success. The track was released as a single in 1974 and was composed with Janette's soulful vocals in mind by the prolific songwriter José Luis Perales.
Initially, Porque Te Vas did not receive any significant attention and only hit the charts two years later when it was released on the soundtrack for Cría cuervos, a 1976 drama directed by Carlos Saura. It is noteworthy that the song was released during the fall of Francoism when Spanish society joined the pan-European cultural wave, and Jeanette herself was compared to a sunbeam shining down on a country under a strict military regime.
The lyrics of Porque Te Vas (literally meaning "because you are leaving") reveal a plot typical for the romantic ballad genre in which the narrator reflects on the upcoming parting with her lover and fears she will soon be forgotten. Although the sun shines through her window, her heart is filled with sadness because of his departure. She compares herself to a child, thinking about the tears she will shed at the station during their farewell.
Listen to Porque Te Vas performed by Jeanette:
Compositionally, Porque Te Vas is a fairly typical example of the rational use of classical tonal theory in a pop song, combining the Aeolian mode with harmonic minor scale. In the harmonic analysis of the song's chord chains, the scale degrees (denoted with Roman numerals) show the following progressions in the key of G minor:
- Gm–Cm–Gm–Cm–Gm–D7–Gm or i–iv–i–iv–i–V7–i for verses;
- E♭–Gm–B♭–D7–Gm or VI–i–III–V7–i for choruses.
The harmonic minor scale appears here in the V7–i authentic cadence that closes the musical phrases in the verses and choruses. Marked in red, the D7 major seventh chord does not belong to the Aeolian mode containing a minor dominant chord rooted in the fifth scale degree.
Notice the reasonable application of the E♭ and B♭ major triads in the choruses where they serve to create a tangible contrast, thereby bringing a positive mood to the overall minor narrative.
Discover more songs combining the Aeolian minor mode with harmonic minor scale and check out their harmonic analysis in the following articles:
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