La fille aux cheveux de lin: Parnassian poem behind Debussy's most recorded piece

La fille aux cheveux de lin or The Girl with the Flaxen Hair is the best-known piano prelude by the French impressionist Claude Debussy first published as part of his First book of Préludes consisting of 12 short pieces. The charming and catchy melody of the prelude is a major draw for musicians who wish to create an endless variety of interpretations and arrangements for solo instruments such as violin, cello, flute, oboe, clarinet, trumpet, french horn, saxophone, and classical guitar.

The musical theme behind La fille aux cheveux de lin was conceived as a musical impression of a Leconte de Lisle poem describing a golden-haired girl in the pastoral landscape of Scotland. The same poem, being a famous example of the Parnassian movement, also inspired many artists to depict a girl with flaxen-colored hair as a symbol of innocence and naïveté.

Of all 24 preludes published by Debussy in two books, La fille aux cheveux de lin is the least complex as it's more harmoniously reminiscent of the composer's early works. At the 1911 Paris premiere, the work was performed by the skilled pianist Ricardo Viñes who specialized in the music of the French Impressionists and was a member of the creative group Les Apaches consisting of about twenty musicians, writers, and avant-garde artists.

Listen to La fille aux cheveux de lin performed by Daniel Barenboim:

Curiously, La fille aux cheveux de lin is Debussy's most recorded composition as well as one of his most widely adored pieces by both listeners and critics who find the emotion expressed in the music extremely moving.